Leonard Bernstein R. Strauss Der Rosenkavalier 3 SACD Hybrid JAPAN

Description: Description Leonard Bernstein R. Strauss Der Rosenkavalier 3 SACD Hybrid JAPANProduct introduction Tower Records x Sony Classical Ultimate SA-CD Hybrid Collection"Bernstein's silver rose in Vienna. Gorgeous singers and producers are Culshaw. Famous excellent recording by DECCA staff in the golden age. DSD remastered for this release!"Bernstein's "Der Rosenkavalier" masterpiece, produced by John Culshaw shortly after the hugely successful performance in Vienna in 1971, will be revived with the latest remaster of 2018. Bernstein will conduct a new production of "Der Rosenkavalier" by Otto Schenk on April 13, 1968, two years after "Falstaff", at the Vienna State Opera, and will receive 48 curtain calls. It was a success (a famous conductor that is still being performed 50 years after its premiere). Three years later, this album was recorded in a session at Zofienzar in parallel with the replay in March 1971. This recording was recorded three years after Decca's Solti board, but I think there are few other examples of the same opera recorded by the same producer / staff in the same orchestra / venue with a difference of only three years. I will. Isn't it a sound source that is intriguing, including how the arrangement of the sound field is changed by Calshaw?■ Vienna Philharmonic with the work soaked into the bones (at this point, two types of all songs conducted by E. Kleiber in 1954 and Shorti in 1968, Hager in 1933 and excerpts conducted by Valviso in 1964 2 The best thing to listen to is Bernstein's conducting (performing at the National Opera), which brings out a vivid and vivid performance while respecting the seeds (participating in the 60-year movie recording conducted by Karajan). Then, in the prelude to Act 3, it is said that he gave instructions only by looking at him without conducting.) Bernstein quickly approached after the performance and recording of "Falstaff" in 1966, and became the home of Bernstein's performance activities in Europe when he retired from the New York Philharmonic (1971, Bernstein and Vienna).・ This is the year when Phil's video recording of Marler's symphony started in No. 9). This "Der Rosenkavalier" is Bernstein's fresh and powerful, which was shifting the weight of his performance activities to Europe, along with Marler's "Resurrection" and Verdi's "Requiem" recorded at the same time with London Symphony Orchestra. The charm of the performance is fully engraved. The range of dynamics is wide, the tempo fluctuates greatly, the sweet tone that melts is heard here and there, and the euphoric feeling that indulges in music is a big part of Bernstein's opera common to later "Tristan" etc. It can be said that it is a feature. ■ The singers who have a lineup of famous singers of the season at that time are also lined up, and Christa Ludwig's splendid singing of Mrs. Marshal and rich singing (known as Octavian in Karajan's 56 EMI board, Marshal from 1968 He sang in parallel until 1971, even after he started working on his wife), and the dignity of Gwyneth Jones, who was appointed to the role of Octavian, which is rare for a soprano singer. (Masu), the innocence of Lucia Popp singing Sophie (Pop also turned to Marshal's wife later in life), and Walter Berry's (then married to Ludwig) Ox, who wasn't too savage and had a Viennese taste. Casting the right person in the right place, such as the Baron. Gutstein of Ferninal, Rose of Marianne, Dicky of Walzacchi, and other ensemble singers of the Vienna State Opera (Karl Telkar, a restaurant who also appeared on the Karajan board in 1982, has been working since 1993. Tenor who sang "Italian singer" in the performance until 1968). I also heard that Placido Domingo appeared in the role of Italian tenor in Act 1 (probably due to the fact that Star Tenor cameo was appointed after Pavarotti on the Solti board). ..■ The recording was recorded at Zofienzar by Decca staff. Produced by Decca's legendary producer John Culshaw. Calshaw had already left Decca at the time of this recording, but was appointed as a producer with Bernstein's strong hope (three years ago, the second "Solti board recorded in November 1968". Produced by "Der Rosenkavalier"). The engineers are Gordon Parry, James Lock, and the virtuosos who supported Decca Records in the Golden Age. It is a famous recording in which the real thrill of Strauss's abundant orchestration is fully realized. It hasn't been remastered for a long time since the early remastering of the CD, but in 2014 it was remastered from the original analog master for the first time in a while. This time, based on the high resolution master that was left at the time of this 2014 remaster, the DSD remaster was performed for the first time by the master Andreas K. Meyer, and the brilliance of the sound of the analog heyday is revived vividly.Work informationMainConductor: Leonard BernsteinPerformers: Vienna Philharmonic Orchestra OthersChorus: Vienna State Opera ChorusPerformers: Murray Dicky, Christa Ludwig, Walter Berry, Gwyneth Jones, Ernst Gutstein, Lucia Popp, Emmy LooseComposer: Richard Strauss Contents Number of configurations | 3 sheets Total recording time | 03:33:53 Track Listing:R. StraussAll songs of the drama "Der Rosenkavalier" PerformanceChrista Ludwig (Mezzo-soprano: Mrs. Marshal)Walter Berry (Bass: Baron Ox)Gwyneth Jones (soprano: octavian)Ernst Gutstein (baritone: furninal)Lucia Popp (soprano: Sophie)Emmy Loose (soprano: Marianne)Murray Dicky (tenor: Walzacchi)Margarita Lilova (Mezzo-soprano: Annina)Harald Praiglhof (tenor: butler of Marshal)Ewald Eichberger (tenor: butler of the Farnal family)Lubomir Pančev (Bus: Notary)Karl Telkar (tenor: restaurant owner)Placido Domingo (tenor: tenor singer)Herbert Lackner (Bus: Inspector)Lawrence Dutoit (soprano: fashion merchant)Mario Gudgea (tenor: animal merchant)Vienna State Opera Case ChoirVienna Philharmonic OrchestraConductor: Leonard Bernstein recordingMarch 22-24, 30th, April 1-10, 1971, Vienna, Zofienzar[Original recording][Producer] John Culshaw, John Mordler[Engineer] Gordon Parry, James Rock[First appearance] M4X30652 (released on November 10, 1971)[First appearance in Japanese edition] SOCZ20-23 (released in June 1972)[Analog Transfer, Mastering] Andreas K. Meyer, Rebekah Wineman (Newyork, Meyer Media LLC, Swan Studios) Shipping We will select and ship from FedEx, DHL, Japan Post. Additional shipping charges may be incurred if otherwise specified. Please be sure to contact us before ordering. We will aim to dispatch all orders within 5 days of confirmed payment. Payment We accept only Paypal. About Us If you have any questions, please ask me before purchasing. Terms of Sale Import duties, taxes and charges are not included in the item price or shipping charges. These charges are the buyer’s responsibility. Please check with your country’s customs office to determine what these additional costs will be prior to buying. These charges are normally collected by the delivering freight (shipping) company or when you pick the item up - do not confuse them for additional shipping charges. We do not mark merchandise values below value or mark items as "gifts" - US and International government regulations prohibit such behavior.

Price: 81 USD

Location: Ibaraki

End Time: 2024-05-05T14:16:52.000Z

Shipping Cost: 20 USD