The Great American Novel by William Carlos Williams (Heathen Edition)

Description: If there is progress then there is a novel. Without progress there is nothing. Everything exists from the beginning. I existed in the beginning. I was a slobbering infant. Today I saw nameless grasses — I tapped the earth with my knuckle. It sounded hollow. It was dry as rubber. Eons of drought. No rain for fifteen days. No rain. It has never rained. It will never rain. Heat and no wind all day long better say hot September. The year has progressed. Up one street down another. It is still September. Down one street, up another. Still September. Yesterday was the twenty-second. Today is the twenty-first. Impossible. Not if it was last year. But then it wouldn’t be yesterday. A year is not as yesterday in his eyes. Besides last year it rained in the early part of the month. That makes a difference. It rained on the white goldenrod. Today being misplaced as against last year makes it seem better to have white — Such is progress. Yet if there is to be a novel one must begin somewhere. William Carlos Williams (1883–1963) was an American physician, author, and Pulitzer Prize-winning poet who lived most of his life in Rutherford, New Jersey. In 1923 he published two works: Spring and All, one of his seminal books of poetry, and his lesser-known, much-overlooked, and vastly underappreciated anti-novel experiment The Great American Novel, which employs what is known today as metafiction to satirize what Williams viewed as the derivative tropes, clichés, and formulaic unoriginality of American novels at the time. Eschewing the time and space of traditional narrative structure and, instead, intermeshing elements of Dadaism, Cubism, Imagism, and plagiarism, Williams “added a new chapter to the art of writing” that simultaneously preempted and foreshadowed postmodernism during the defining decade of modernism. “The Great American Novel sprawls in all directions with a protean elusiveness . . . an exercise complementary to European Dada . . . he cleared out the past by turning from Europe to American in order to create a new art, unrecognized as such by the standing cultural order.” —Dickran Tashjian, Skyscraper Primitives “One tendency, evident in the novel from André Gide to John Barth, has been to make self-conscious struggle with literary form into the fictional subject itself. Williams appears to have been one of the first twentieth-century writers to try this . . . Considered in its own right, The Great American Novel has a speed, intensity, and exuberance that carry it along in spite of its obscurities.” —James E. Breslin, William Carlos Williams: An American Artist “No jokes or puns, no neologisms, no portmanteau words — Williams’ novel asks nothing from the reader except the seriousness of mind to shape the fragmented parts into a whole . . . The Great American Novel is a man’s book.” —Linda Wagner, The Prose of William Carlos Williams “Williams’ ‘struggle’ to begin his ‘Great American Novel’ quickly becomes a metaphor for all ‘beginnings’ — all attempts by men to create anew and all attempts of new things to realize themselves.” —James Guimond, The Art of William Carlos Williams “The Great American Novel was one of the first anti-novels written in the U.S. — plotless, hostile to the tradition of the novel, hung up on problems of language and time, indifferent to the attention span of its readers, capricious in selection of materials, hiding treasures of description and narration in fogs of aesthetic argument. It requires functional devotion to Williams to read the book once. Read twice it becomes a delight.” —Webster Schott

Price: 8.95 USD

Location: Point Pleasant, West Virginia

End Time: 2023-10-13T17:13:43.000Z

Shipping Cost: 3.92 USD