Description: INTERNATIONAL BUYERS:š The shipping rates shown are for '1st Class International Package' with tracking.š Ebay is also promoting their EIS International Shipping program on sellers pages. I do not use this program because it is more expensive, slower, not very transparent, and frustrating to the buyer, if something goes wrong. Do not select it, if ebay does show it as an option. Thank you. Print Specifics: Type of print: Intaglio, steel engraving - Original fine quality antique printYear of printing: not indicated in the print. Est: 1860s Original artist : Leitch Publisher: The London Printing and Publishing Company Limited, London & New York. Condition: 1 (1. Excellent - 2. Very good - 3. Good - 4. Fair). Light age toning of paper. Dimensions: 6.5 x 10.5 inches (17 x 26.5 cm), including blank margins (borders) around the image. Paper weight (thickness): 2-3 (1. Thick - 2. Heavier - 3. Medium heavy - 4. Slightly heavier - 5. Thin) Reverse side: BlankNotes: 1. Green color around the print in the photo is a contrasting background on which the print was photographed. 2. Print detail is much sharper than the photo of the print. Original Narrative: Church of S. Maria della Salute : Critics have complained of the sumptuousness that prevails in every part of this costly structure: the exterior they particularly protest against, as being overloaded with ornament; but the interior is unquestionably free from all such impeachment: it is intricate without confusion, wants neither majesty nor grandeur, and is favourable to the expression of richness and splendour. Mr. Forsyth says, " It is magnificent, to be sure, and lofty, and rich ', but it runs into too many angles and projections, too many 'coignes of vantage,' both without and within. It issues into a pyramid, from the very basement up to the cupolas; but those cupolas screen each other, and are shored-up with vile inverted consoles."* Had this very elegant scholar, and very generally just critic, directed his entire indignation against the repetition of the cupola alone, he would have made more proselytes than he now can hope for. It is this unsightly introduction which marks the decline of the art. It possesses neither the graces of the gothic nor the simple beauty of the antique. When of very large dimensions, it is majestic; but then it crushes the structure which it adorns ! when small, it is a paltry cap, that blends with no other member of the architecture, and rises above the entablature for the express purpose of breaking the harmonious line of the ogee. The event in which the erection of this gorgeous temple originated, is finely represented in marble, over the grand altar. On the right of a figure of the Blessed Virgin holding an infant Christ in her arms, is Venice supplicating her interference to deliver the people from the ravages of a plague : while on the opposite side, " Plague" is represented flying before an angel with a torch in his hand. The high altar is also adorned with a bronze chandelier, the work of AndreaAlessandro, more than six feet in height, and, next to that at Padua, esteemed the most beautiful design of the class in Italy. Many have even preferred the graceful ornaments of the upper part of Alessandro's design to any part of its Paduan rival. Martin2001 Satisfaction Guaranteed Policy! Any print purchased from me may be returned for any (or no) reason for a full refund including all postage. Internet seller since 1998.Five-star service.
Price: 25.35 USD
Location: Manassas, Virginia
End Time: 2024-11-26T19:49:52.000Z
Shipping Cost: 4.75 USD
Product Images
Item Specifics
All returns accepted: ReturnsNotAccepted
Type: Print
Listed By: Martin2001
Year of Production: 1860
Theme: History, Geography, Travel, Italy
Dimensions: 6.5 x 10.5 inches (17 x 26.5 cm)
Material: Paper
Features: Not-framed
Production Technique: Steel Engraving
Original/Licensed Reprint: Original
Subject: Cityscapes, Venice
Time Period Produced: 1850-1899