Why I Don't Write: And Other Stories by Susan Minot (English) Paperback Book

Description: Why I Don't Write by Susan Minot A NEW YORK TIMES NOTABLE BOOK • A "clear-eyed and fearless" (The New York Times Book Review) collection of ten short stories from the award-winning author of Evening "Tender, precise, emotional, insightful, and funny."—JULIANNE MOORE A writer dryly catalogs the myriad reasons she cannot write; an artist bicycles through a protest encampment in lower Manhattan and ruminates on an elusive lover; an old woman on her deathbed calls out for a man other than her husband; a hapless fifteen-year-old boy finds himself in sexual peril; two young people in the 1990s fall helplessly in love, then bicker just as helplessly, tortured by jealousy and mistrust. In each of these stories Susan Minot explores the difficult geometry of human relations, the lure of love and physical desire, and the lifelong quest for meaning and connection. Her characters are all searching for truth, in feeling and in action, as societal norms are upended and justice and coherence flounder. Urgent and immediate, stunningly observed, deeply felt, and gorgeously written, the stories in Why I Dont Write showcase an author at the top of her form. "Intimate, adventurous, stark and lyrical . . . Few short story collections shine as brightly."—Portland Press-Herald FORMAT Paperback LANGUAGE English CONDITION Brand New Author Biography Susan Minot is an award-winning novelist, short-story writer, poet, and screenwriter. Her first novel, Monkeys, was published in a dozen countries and won the Prix Femina Étranger in France. Her novel Evening was a worldwide bestseller and became a major motion picture. She lives with her daughter in New York City and on an island off the coast of Maine. Review "A winning blend of emotional intensity, capricious playfulness and keen-eyed observation."—Minneapolis Star Tribune"Tender, precise, emotional, insightful and funny."—Julianne Moore"Why I Dont Write: And Other Stories, [Minots] first in some thirty years, showcases her versatility. Its ten stories range from mainstream to experimental, with sundry stops in between. . . . She has an unmistakable knack for distilling things, and gorgeously, at that. . . . Taken as a whole, Minots collection is, by turns, spiky and intimate, adventurous, stark and lyrical. . . . Few story collections shine as brightly."—Portland Press Herald (Maine)"Why I Dont Write is a quiet collection, but it is not a halting or timid one. Minot still has a poets instinct for the surprising volta, the striking image, the bracing final line. After thirty years away from the short story, it is good to have her back, clear-eyed and fearless as ever, whispering difficult truths and ambiguities that a less assured writer would feel compelled to shout."—The New York Times Book Review "Susan Minot is an author well reputed for the purity and terseness of her prose exhibited over a career of more than three decades. Her latest book, a collection of ten stories is no exception. . . . Minot excels in description of people and places. . . . [A] rewarding read."—New York Journal of Books"[Why I Dont Write] is strikingly visual. Here, the light is often white, peoples heads are bullet-shaped, and the littered car of a scoundrel professor is a fish tank. At their best, the sentences are frozen frames peering at the reader, as the reader peers back, peeling new information with each read. . . . [These stories] spill with luscious sentences that scintillate."—Chicago Review of Books "[Minots] gift is for illuminating revelatory moments in characters lives. . . . Throughout, Minot is keenly aware of how men hurt women—as well as how women sabotage themselves."—Kirkus Reviews "Minot . . . finds hints of violence, grief, and trauma in her characters interior lives in this precise, shimmering collection."—Publishers Weekly Review Quote "Searing... Minots lyricism is all her own... Minot still has a poets instinct for the surprising volta, the striking image, the bracing final line. After 30 years away from the short story, it is good to have her back, cleareyed and fearless as ever, whispering difficult truths and ambiguities that a less assured writer would feel compelled to shout." -- The New York Times "Sterling... Pristine... fully formed, often erotic, gorgeous, and searing.,.Minot isexceptionally attuned to forces intimate and social, and her gift for potent distillation yields storiesthat are stunning in every sense of the word." --Booklist Excerpt from Book The Torch She lay back on the clean white pillows. Is that--? Whos there? she said. Its me. John? she said in a weak voice. Is that you, John? Happiness came into her tone. Yes, its me, said her husband, taking her hand. Where have you been? Ive been right here. You just woke up. Are we at home? Yes, he said. Were at the house. You came from--? she whispered. She shook her head. No, she said. Thats not . . . Is there anything I can get you, dear? No, John. Here, have a little water. He held up a paper cup. His hand was shaky. He managed to guide the bent straw to her lips. Thank you, John, she said. Saying his name pleased her. She smiled, though her husband would have hardly called it a smile. Her face had lost most of its flesh and her profile was more pronounced, even regal. She spoke with great effort. Im thinking of the dancing, she said. Isnt it lovely to think of? Her eyelids were low and her black eyes looked elsewhere. It is, he said. He stroked her hand. Her hand had not changed so much, though her wedding band was loose beneath her knuckle. But her wrist was different, flat like a board, and her fore- arm where it emerged from her dressing gown was like a plank. Have you changed the music, John? What, dear? Im sorry, she said. Im confused. Painkillers, he said. The medicine is making you confused. Her gaze flicked in his direction with a sharp bird-look, testing the soundness of this. The medicine, she said uncertainly, and nodded. What time is it? He consulted his watch and after some time reported, Twenty to five. In the evening, she said with suspicion. In the evening. They sat for a while. Then she said, Tomorrow I think we might go to the shore. Well see. She lifted up her narrow arms and dropped them on the bedspread. Oh, God, she groaned, Id love to swim. In lovely cold water. You would like that, he said. I wanted to swim with you, John. She frowned. But they served dinner so early. Its all right, he said. They kept the tables apart, but everyone danced after, she said. I thought--but then she came the next day. Her mouth turned down. What did you say to her, John? The man shook his head. What? she said. I cant remember, the man said with resignation. She was prettier than I. That, everyone knew. I dont know about that, he said. Couldnt dance as well though. But she was chic. I remember she had a really good-looking scarf and a wonderful suit. Better clothes than mine. The womans hand waved slowly; it didnt matter so much now. You were a wonderful dancer, he said. You are. Did you love her, John? No, he said. I loved you. The woman nodded, her expression placid, skin stretched over her cheekbones. I know, she said, meaning to reassure him. I know. Her eyes closed, winglike. I wondered if you believed in Christ, she said. Her husband watched her fall asleep. In their lifetime hed watched her face go through many changes, but he could still see the first face hed known when she walked up from the beach that day. Where are we again? Her eyes stayed closed. Home, in the house on Chestnut Street. Oh yes. In my room. In your room. Thats right. Her eyes opened. Youll stay here, John? You wont go away? I wont go away. He sat and watched her sleep, looking at her dry lips and polished forehead. Past the bed out the window, it was turning blue and he looked at his watch. The doctor was coming by after five. He stayed in the chair. He looked at his thumbs meeting each other. After an uncertain amount of time there was a tap on the door. The doctors head appeared, the door was pushed farther ajar. Sleeping? the doctor said. The man nodded. Could I talk to you? the doctor said, with a twitch of his head. They stood side by side at the upstairs railing, both looking down at the top of the lamp on the hall table below. I want to ask, said the doctor, how you are holding up. The man stared ahead of him, not wanting to speak. Andrew, said the doctor. It can be hard on a man. At the mention of his name, Andrew turned to face the doctor. Yes, he said. He knew. Details ISBN1984899872 Author Susan Minot Short Title Why I Dont Write Pages 176 Language English Year 2021 ISBN-10 1984899872 ISBN-13 9781984899873 Format Paperback Publication Date 2021-06-15 Subtitle And Other Stories Country of Publication United States AU Release Date 2021-06-15 NZ Release Date 2021-06-15 US Release Date 2021-06-15 UK Release Date 2021-06-15 Series Vintage Contemporaries Publisher Random House USA Inc Imprint Vintage Books Place of Publication New York DEWEY 813.54 Audience General We've got this At The Nile, if you're looking for it, we've got it. 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